| M3M GEORGE MARTIN (2005) | | - Grand Auditorium 14-fret M/0000-style body, solid Italian Alpine spruce top, solid mahogany back wings with a solid quilted mahogany wedge, solid mahogany sides, three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, fine herringbone top inlay, B/W/B Boltaron back and side inlays, select hardwood neck, 14/20-fret grained ivoroid-bound ebony fingerboard with Style 42 snowflake pattern, 5th fret "5," and 20th fret George Martin signature inlays, bound headstock with solid mahogany wings and solid mahogany quilted wedge overlay and long "M" inlay, three-per-side gold Waverly tuners with Butterbean knobs, belly ebony bridge, tortoise color J-40 pickguard, label signed by C.F. Martin IV and Sir George Martin and numbered in sequence, Natural polished gloss with Aging Toner top finish, 25.4 in. scale, case included, limited edition run of 127 instruments, mfg. summer 2005-mid-06. |
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| M3SC SHAWN COLVIN (2002) | | - Grand Auditorium 14-fret 0000/M-style body, solid Engelmann spruce top, three-piece back with solid mahogany wings and a solid East Indian rosewood center wedge, solid mahogany sides, J1 hybrid scalloped bracing, round soundhole with s single ring rosette (abalone pearl with wood fiber inlays), tortoise color binding, multiple B/W top inlay, B/W back and side inlays, Style 35 back purfling with black fiber strip on each side, solid mahogany neck, 14/20-fret ebony fingerboard with no inlays, three-piece headstock with mahogany wings and an Indian rosewood wedge separated by B/W inlays, raised gold foil logo, three-per-side chrome Schaller tuners with large ebony knobs, ebony belly bridge, tortoise color beveled pickguard, Fishman Gold Plus Natural I electronics, label signed by CFM IV and Shawn Colvin and numbered in sequence, Natural polished gloss finish with Vintage Toner top and Maple Stain/Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 120 instruments, mfg. 2002 only. |
| M-42 DAVID BROMBERG (2006) | | - Grand Auditorium 14-fret M/0000-style body, solid Italian Alpine spruce top, solid East Indian rosewood back and sides, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, Style 42 with B/W/B Boltaron top inlay, black/white Boltaron back and side inlays, select hardwood neck, 14/20-fret grained ivoroid-bound ebony fingerboard with narrow Style 45 select abalone snowflakes and MOP Bromberg signature between the 18th and 20th frets inlays, bound headstock with solid East Indian rosewood overlay and large vertical block logo inlay, three-per-side gold Gotoh tuners with large knobs, ebony belly bridge, white bridge pins with abalone pearl dots, tortoise color pickguard, label signed by CFM IV and David Bromberg and numbered in sequence, Natural polished gloss with Aging Toner top finish, 25.4 in. scale, case included, limited edition run of 83 instruments, mfg. summer 2006 only. |
| MC-12-41 RICHIE SAMBORA (2006) | | - 12-string configuration, single cutaway Grand Auditorium 14-fret M/0000-style body, solid Italian Alpine spruce top, solid Madagascar rosewood back and sides, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, Style 41 abalone pearl with B/W/B Boltaron top inlay, B/W Boltaron back and side inlays, select hardwood neck, 14/20-fret ebony fingerboard with abalone pearl hexagons bordered in MOP and Richie Sambora's signature between the 19th and 20th fret inlays, ebony headstock overlay with abalone pearl/MOP modified torch inlay (no logo), three-per-side gold Gotoh tuners with small buttons, pyramid Stauffer-style ebony bridge, fossilized ivory bridge pins with pearl dots, black beveled pickguard, Martin Gold Plus Natural 1 electronics, label signed by CFM IV and Richie Sambora and numbered in sequence, Amber Sunburst polished gloss top and Natural polished gloss back and sides finish, 25.4 in. scale, case included, limited edition run of 200 instruments, mfg. 2006-present. |
| MC-40 ERIC JOHNSON (2003) | | - single cutaway Grand Auditorium 14-fret M/0000-style body, solid Engelmann spruce, solid East Indian rosewood back and sides, round soundhole with a single ring of abalone pearl surrounded by B/W fibers, grained ivoroid binding, blue fiber with B/W/B Boltaron top and back inlays, B/W/B Boltaron side inlay, Southwestern marquetry (brown and blue arrows) back purfling, mahogany neck, 14/20-fret grained ivoroid/mitered-bound ebony fingerboard with planetary inlays, bound headstock with ebony overlay and engraved MOP angel and logo inlays, three-per-side nickel Waverly tuners with Butterbean knobs, ebony belly bridge, ebony bridge pins with abalone pearl dots, label signed by CFM IV and Eric Johnson and numbered in sequence, Natural polished gloss finish with Adobe toner top and Dark Filler back and sides, 25.4 in. scale, harshell case with burgundy interior included, limited edition run of 90 instruments, mfg. summer 2003 only. |
| MC-DSM (2008) | | - single cutaway Grand Auditorium M/0000-style body, solid Italian Alpine spruce top, solid highly flamed Hawaiian koa back and sides, single ring fine herringbone rosette, ebony binding, black/white boltaron top/back/side inlays, select hardwood neck, black ebony heelcap with black/white boltaron inlay, 14/20-fret ebony-bound ebony fingerboard with select abalone foden inlays, regular headstock with solid ebony overlay and select abalone pearl logo inlay, three-per-side Waverly nickel tuners with oval buttons, straightline ebony bridge with drop-in saddle, no pickguard, individually numbered, available in Natural Gloss finish, 25.4 in. scale, limited edition run of 100 instruments, mfg. 2008-present. |
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| MPFF PHILLY FOLK FESTIVAL (2002) | | - Grand Auditorium 14-fret 0000/M-style body, solid Engelmann spruce top, solid East Indian rosewood back and sides, J1 hybrid scalloped bracing, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large center ring of abalone pearl), grained ivoroid binding, bold herringbone top inlay, B/W back and side inlays, solid mahogany neck, 14/20-fret grained ivoroid/mitered-bound ebony fingerboard with Style 42 snowflake, 4th-5th fret MOP smiling banjo, and 19th-20th fret "Philadelphia Folk Festival" inlays, bound ebony headstock with alternate torch pearl inlay and C.F. Martin stamp on the back of the headstock, solid Brazilian rosewood belly bridge, white bridge pins with abalone dots, tortoise color beveled pickguard, two labels with one signed by CFM IV and David Baskin and the other signed by the Philly Folk Festival even participants and numbered in sequence, Natural polished gloss finish with Vintage Toner top and Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 85 instruments, mfg. 2002 only. |
| MTV 1 UNPLUGGED (1996) | | - dreadnought 14-fret-style body, solid Sitka spruce top, split-back and sides with solid mahogany on the treble side and solid East Indian rosewood on the bass side, scalloped X bracing, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large center ring of abalone pearl), tortoise color binding, B/W top inlay, mahogany neck, 14/20-fret ebony fingerboard with paua shell wide block letter "UNPLUGGED" inlays, rosewood headstock overlay with MOP "MTV" inlay and gold foil logo, three-per-side chrome tuners with ebony buttons, ebony belly bridge, Natural satin finish (gloss finish optional), 25.4 in. scale, limited edition run of 697 instruments, mfg. 1996 only. |
| MTV 2/MTV 2G "MTV UNPLUGGED" (2003) | | - Grand Auditorium 14-fret 000-style body, solid Sitka spruce top, split-back with solid Pacific Big Leaf Flame maple on the treble side and solid Indian rosewood on the bass side, hybrid Style 1 scalloped bracing, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), tortoise color binding, multiple B/W top inlay, B/W Boltaron back inlay, fine pattern herringbone back purfling, select hardwoods neck, 14/20-fret ebony fingerboard with wide Blue Paua letters spelling "UNPLUGGED" from top to bottom of the fingerboard, solid East Indian rosewood headstock overlay with MOP "MTV" logo and gold foil logo, three-per-side chrome Gotoh tuners with large ebony knobs, ebony belly bridge, black bridge pins with pearl dots, clear pickguard, label signed by CFM IV and numbered in sequence, available in Natural semi-gloss top with satin back and sides (MTV 2) or Natural polished gloss with Dark Filler back and sides (MTV 2G) finish, 25.4 in. scale, hardshell case included, limited edition run of 200 instruments, mfg. 2003-04. |
| N-20WN WILLIE NELSON (1998) | | - classical nylon-string configuration, N-style body, solid Sitka spruce top, solid East Indian rosewood back and sides, non-scalloped bracing, round soundhole with wood mosaic binding, black Boltaron binding, multiple B/W top inlay, Style 35 back purfling, mahogany neck, 12/19-fret ebony fingerboard with 5th fret MOP state of Texas with star in the middle inlay, 12th fret wester letter style "TRIGGER" inlay, and 19th fret Willie Nelson signature inlay, slotted headstock with solid East Indian rosewood overlay and small old style logo, three-per-side side-mount Irving Sloane tuners, solid East Indian rosewood tied bridge with square ends, Fishman pickup that is a replica of the original Baldwin pickup, label signed by CFM IV and Willie Nelson, Natural polished gloss finish with Yellow Stain top and Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 70 instruments, mfg. summer 1998-99. |
| N-20WNB Willie Nelson Brazilian (1998) | | - similar to the N-20WN Willie Nelson, except has solid Brazilian rosewood back, sides, and headstock overlay, limited edition run of 30 instruments, mfg. summer 1998-99. |
| NUB X (2008) | | - single cutaway Grand Auditorium 14-fret 000-style body, HPL top, HPL Jett Black textured back and sides, round soundhole, natural Stratabond neck, 14/20-fret black Micarta fingerboard with no inlays, regular headstock with HPL Jett Black overlay, three-per-side Gotoh Cosmo black tuners, belly-style black Micarta bridge, no pickguard, Fishman Classic 4T electronics, available in a light blue finish with custom "Nub" graphics by Nub Graphix, 25.4 in. scale, limited run of 200 instruments, mfg. 2008-present. |
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| NWD GEORGE NAKASHIMA (2000) | | - dreadnought 14-fret-style body, solid Italian Alpine spruce top, solid high figured Claro Walnut back and sides, DOM forward-shifted scalloped bracing, round soundhole with single ring rosette (large ring of blue paua pearl surrounded by B/W/B fiber on each side), solid East Indian rosewood binding, multiple B/W wood fiber top and back inlays, two Indian rosewood bowtie inlays on the back, maple neck with a walnut center stripe, 14/20-fret ebony fingerboard with flower petals and 20th fret George Nakashima signature inlays, solid figured Claro walnut headstock overlay with logo and Nakashina Crest abalone pearl inlay, three-per-side nickel Waverly tuners with Butterbean knobs, ebony belly bridge, fossil ivory bridge pins with black pearl dots, tortoise color beveled pickguard, two labels with one signed by CFM IV and Mira Nakashima and the other with a picture of George Nakashima, Natural polished gloss top with Aging Toner and satin back and sides finish, 25.4 in. scale, case included, limited edition run of 100 instruments, mfg. 2000-mid 2001. |
| OM-28 JOHN MAYER (2003) | | - Orchestra 14-fret 000-style body, solid Engelmann spruce top, solid East Indian rosewood back and sides, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, bold herringbone top inlay, B/W Boltaron back and side binding, mahogany neck, 14/20-fret ebony fingerboard with small pearl dots inlays, 12th-13th fret MOP triangle with dots inlays, and 20th fret John Mayer signature inlay, solid Indian rosewood headstock overlay with silver outline and logo, ebony belly bridge, white bridge pins with abalone dots, tortoise color beveled pickguard, signed by CFM IV and John Mayer and numbered in sequence, Fishman Gold Plus Natural I electronics, Natural polished gloss finish with Vintage Toner top and Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 404 instruments, mfg. summer 2003-mid-05. |
| OM-28M ROSEANNE CASH (2008) | | - Grand Auditorium 14-fret 000-style body, solid Adirondack spruce top, solid Madagascar rosewood back and sides, Style 45 rosette, grained ivoroid binding, bold herringbone top inlay, black/white boltaron back inlays, select hardwood neck, grained ivoroid heelcap, 14/20-fret ebony fingerboard with MOP diamond and sqaure inlays and "CASH" inlaid between the 19th and 20th fret, regular headstock with solid ebony overlay and special colored MOP rose inlays, three-per-side Gotoh open-geared nickel tuners with butterbean knobs, vintage belly-style ebony bridge with drop-in long saddle, tortoiseshell pickguard, signed by Roseanne Cash and individually numbered, available in Natural Gloss, 25.4 in. scale, limited edition run of 100 instruments, mfg. 2008-present. |
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| OM-40 RORY BLOCK (2004) | | - Orchestra 14-fret 000-style body, solid Englemann spruce top, solid East Indian rosewood back and sides, scalloped bracing, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, bold herringbone top inlay, B/W Boltaron back inlay, select hardwood neck, 14/20-fret grained ivoroid-bound ebony fingerboard with MOP highway signs designs and 20th fret Rory Block signature inlays, bound headstock with ebony overlay and MOP antique car and logo inlays, three-per-side nickel Waverly tuners with Butterbean knobs, ebony belly bridge, ebony bridge pins with abalone pearl dots, tortoise color beveled pickguard, label signed by C.F. Martin IV and Rory Block and numbered in sequence, Natural polished gloss finish with Vintage Toner top, 25.4 in. scale, case included, limited edition run of 38 instruments, mfg. summer 2004 only. |
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| OM-42 FLAMED MAHOGANY (2006) | | - Orchestra 14-fret 000-style body, solid Adirondack spruce top, solid flamed mahogany back and sides, OM scalloped bracing, three-ring rosette Style 45 rosette (5/9/5 grouping with a large middle abalone pearl ring), grained ivoroid binding, abalone pearl with multiple black/white fiber top inlay, black/white Boltaron back and side inlays, Style 45 back purfling, select hardwood neck, 14/20-fret grained ivoroid-bound ebony fingerboard with "Vine of Harmonics" abalone inlay designed by Dick Boak, square taper headstock with ebony overlay and C.F. Martin in abalone script, three-per-side gold Gotoh tuners with ebony buttons, ebony belly bridge, tortoise color pickguard, label signed C.F. Martin IV and numbered in sequence, polished gloss top with aging toner, 25.4 in. scale, limited edition run of 30 instruments, mfg. summer 2006 only. |
| OM-42PS PAUL SIMON (1997) | | - Grand Concert 14-fret OM-style body, solid Sitka spruce top, solid East Indian rosewood back and sides, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large center ring of abalone pearl), tortoise color binding, Style 42 abalone pearl top inlay, Style 45 multi-colored mosaic back inlay, mahogany neck, 14/20-fret tortoise color-bound ebony fingerboard with Style 42 abalone pearl snowflake inlays and 20th fret MOP Paul Simon signature inlay, tortoise color-bound with reverse B/W inlay headstock with rosewood overlay and large vertical block logo, three-per-side nickel Waverly tuners with ivoroid buttons, ebony belly bridge with Style 42 abalone pearl snowflake inlays, teardrop-shaped tortoise color pickguard, label signed by CFM IV and Paul Simon, Natural polished gloss finish with Vintage Toner top, 25.4 in.scale, case included, limited edition run of 500 instruments, mfg. 1997 only. |
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| OM-45 ROY ROGERS (2006) | | - Grand Auditorium 14-fret 000-style body, solid Adirondack spruce top, solid East Indian rosewood back and sides, three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, abalone pearl with black/maple/black fiber top, back, and side inlays, Style 45 back purfling, select hardwood neck, 14/20-fret grained ivoroid/mitered-bound ebony fingerboard with D-45 snowflake inlays, bound headstock with solid East Indian rosewood overlay and abalone pearl torch inlay (no logo), three-per-side gold tuners with butterbean knobs, 1930s-style ebony belly long saddle bridge with abalone pearl snowflake inlays, fossil ivory bridge pins with black pearl dots, Greven tortoise pickguard with pearl floral pattern, label signed by CFM IV and Roy Rogers, Jr. and numbered in sequence, Natural polished gloss finish with Vintage Toner top and Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 84 instruments, mfg. 2006 only. |
| OM-45B Roy Rogers (2006) | | - similar to the OM-45 Roy Rogers, except has solid Brazilian rosewood back and sides, limited edition run of 14 instruments, mfg. 2006 only. |
| OMC-18VLJ LAURENCE JUBER (2002) | | - single cutaway Orchestra 14-fret 000-style body, solid Adirondack spruce top, solid mahogany back and sides, round soundhole with old Style 18 rosette, tortoise color binding, multiple B/W top inlay, mahogany neck, 14/20-fret ebony fingerboard with abalone pearl dot inlays at the 5th, 7th, and 9th frets, solid Brazilian rosewood headstock overlay with large old style logo, three-per-side nickel Waverly tuners with butterbean knobs, ebony belly bridge, black bridge pins with abalone dots, no pickguard, label signed by CFM IV and Laurence Juber and numbered in sequence, polished gloss finish with Aging Toner top and Dark Mahogany Stain back and sides, 25.4 in. scale, case included, limited edition run of 133 instruments, mfg. 2002 only. |
| OMC-28 LAURENCE JUBER (2004) | | - single cutaway Orchestra 14-fret 000-style body, solid Adirondack spruce top, solid East Indian rosewood back and sides, OM scalloped bracing, round soundhole with three-ring Style 28 B/W fiber rosette (5/9/5 grouping), grained ivoroid binding, fine herringbone top inlay, B/W fiber back inlay, select hardwood neck, 14/20-fret ebony fingerboard with no inlays, solid East Indian rosewood headstock overlay with large old style logo, three-per-side nickel Waverly tuners with Butterbean knobs, ebony belly bridge, fossil ivory bridge pins with black dots, label signed by C.F. Martin IV and Laurence Juber and numbered in sequence, Natural polished gloss finish with Aging Toner top and Dark Filler back and sides, 25.4 in. scale, case included, limited edition run of 133 instruments, mfg. 2004 only. |
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| OMC-28B Laurence Juber (2004) | | - similar to the OMC-28 Laurence Juber, except has solid Brazilian rosewood back, sides, and headstock overlay, limited edition run of 50 instruments, mfg. 2004 only. |
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| OMC-41 RICHIE SAMBORA (2006) | | - single cutaway Orchestra 14-fret 000-style body, solid Italian Alpine spruce top, solid Madagascar rosewood back and sides, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with a large middle ring of abalone pearl), grained ivoroid binding, Style 41 abalone pearl with B/W/B Boltaron top inlay, B/W Boltaron back and side inlays, select hardwood neck, 14/20-fret ebony fingerboard with abalone pearl hexagons bordered in MOP and Richie Sambora's signature between the 19th and 20th fret inlays, ebony headstock overlay with abalone pearl/MOP modified torch inlay (no logo), three-per-side gold Gotoh tuners with small buttons, pyramid Stauffer-style ebony bridge, fossilized ivory bridge pins with pearl dots, black beveled pickguard, Martin Gold Plus Natural 1 electronics, label signed by CFM IV and Richie Sambora and numbered in sequence, Amber Sunburst polished gloss top and Natural polished gloss back and sides finish, 25.4 in. scale, case included, limited edition run of 200 instruments, mfg. 2006-present. |
| OMC ARTINGER CUSTOM (2005) | | - unique one-of-a-kind custom OM model mfg. in collaboration with PA luthier Matt Artinger, bear claw Adirondack spruce top, Indian rosewood sides and back, bordered with abalone pearl, elliptical soundhole, assymetrical bridge, hollow hexagon fingerboard inlays, contoured armrest on lower bass side bout, side port, scalloped nut, flamed koa trim, gloss top. One-of-a-kind model mfg. 2005 only. |
| OMCE CLARO (2008) | | - Grand Auditorium 14-fret 000-style body, solid Sitka spruce top, solid highly figured claro walnut back and sides, hybrid X scalloped bracing, round soundhole with a multi-ply abalone pearl ring rosette, grained ivoroid binding, multiple B/W Boltaron top inlay, B/W Boltaron back inlay, Style 45 back purfling, select hardwood modified low oval neck, 14/20-fret striped ebony fingerboard with small pearl dot inlays, solid highly figured claro walnut headstock overlay with raised gold foil logo, three-per-side gold tuners with small buttons, striped ebony belly bridge, white bridge pins with abalone pearl dots, tortoise color pickguard, Fishman Matrix Infinity, label numbered in sequence, Natural polished gloss finish, 25.4 in. scale, case included, limited edition run of 150 instruments, mfg. summer 2008-present. |
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| OM NEGATIVE (2007) | | - Orchestra 14-fret 000-style body, solid Englemann spruce top, solid East Indian rosewood back and sides, Style 45 rosette, black Boltaron binding, bold herringbone top inlay, black/white Boltaron back inlay, mortise neck, 14/20-fret black Boltaron bound white Micarta fingerboard with Style 45 snowflake inlays, white Micarta headstock overlay with abalone torch inlays, three-per-side chrome tuners with large ebony buttons, white Micarta bridge, white pickguard, available in Black finish, 25.4 in. scale, label signed by Dick Boak, limited edition run of 60 instruments, mfg. summer 2007 only. |
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| PS2 PAUL SIMON (2002) | | - Grand Auditorium 14-fret 000-style body, solid Sitka spruce top, solid East Indian rosewood back and sides, round soundhole with three ring Style 45 rosette (5/9/5 grouping with a center ring of blue paua pearl), tortoise color binding, multiple B/W top inlay, B/W back and side inlays, mahogany neck, 14/20-fret ebony fingerboard with long pattern paua diamond and square inlays and 18th-20th-fret MOP Paul Simon signature inlay, ebony headstock overlay with raised gold foil logo and green malachite/blue lapis reconstituted stone world inlay, three-per-side nickel-plated tuners with butterbean knobs, ebony belly bridge, tortoise color beveled pickguard, label signed by CFM IV and Paul Simon and numbered in sequence, Natural polished gloss finish with Aging Toner top and Dark Filler back and sides, 24.9 in. scale, mfg. summer 2002-mid-2003. |
| SPNAMM NAMM 100TH ANNIVERSARY (2001) | | - single cutaway Grand Auditorium 14-fret 000-style body, solid Sitka spruce top, solid mahogany back and sides, 0001 Hybrid scalloped bracing, round soundhole with three-ring Style 45 rosette (5/9/5 grouping with large middle ring of abalone pearl), tortoise color binding, mahogany neck, 14/20-fret striped ebony fingerboard with modified snowflake inlays, solid East Indian rosewood headstock overlay with raised gold foil logo, three-per-side gold Gotoh tuners with large knobs, ebony belly bridge with two abalone pearl snowflake inlays, black beveled pickguard, Fishman Prefix Onboard Blender electronics, label with 100th NAMM Anniversary, Sunburst polished gloss top and Natural polished gloss back and sides with Maple Stain/Dark Filler, 25.4 in. scale, hardshell case included, limited edition run of 100 instruments, mfg. early 2001 only. |
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| STING MINI (2005) | | - Size 5/Terz 12-fret-style body, Western red cedar top, Sustainable Solomon Padauk back and sides, three-ring Style 45 rosette (5/9/5 grouping with large middle ring of abalone pearl), tortoise color binding, fine herringbone top inlay, B/W back inlay, mahogany neck, 12/18-fret Sustainable Katalox fingerboard with abalone pearl diamond and square and 18th-fret Sting signature inlays, Sustainable Soloman Padauk headstock overlay with gold logo, three-per-side nickel Gotoh open-geared tuners with Butterbean knobs, Sustainable square Katalox bridge, white bridge pins with tortoise dots, label signed by C.F. Martin IV and Sting, Natural polished gloss finish, case included, limited edition run of 100 instruments, mfg. summer 2005-mid-06. |
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| SW00-DB MACHICHE (2006) | | - Grand Concert 14-fret deep-style body designed by the Women and Music Task Team, solid rescued Sitka spruce, sustainable Machiche back and sides, round soundhole with cherry, machiche and maple pattern rosette, grained ivoroid binding, rope design with black/maple/black fiber top inlay, black/maple/black back inlay, solid Sustainable cherry neck, 14/20-fret Katalox fingerboard with Style 28 cherry and maple position dots, solid Sustainable Machiche headstock overlay with vertical block CMF Martin logo, three-per-side Gotoh antique bright copper tuners, solid Sustainable Katalox belly bridge, two labels and numbered in sequence with total, Natural polished gloss finish, 25.4 in. scale, limited edition run of 125 instruments, mfg. summer 2006-summer 2007. |
| TATTOO (2004) | | - Grand Auditorium 14-fret 000-style body, High Pressure Laminate (HPL) top with traditional tattoo custom art, Tawny Satinwood HPL textured back and sides, round soundhole, Stratabond neck, 14/20-fret Morado fingerboard with old Style 18 abalone pearl dot inalys, HPL headstock overlay with matching finish and traditional tattoo custom art, Morado belly bridge, black bridge pins with abalone dots, no pickguard, tattoo paper label and numbered in sequnce, White finish, 25.4 in. scale, dark brown western motif case with mauve plush interior and custom Jodi Head tattoo themed strap, limited edition run of 100 instruments, mfg. summer 2004 only. |
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MARTIN
