 GRAMMER | | ACOUSTIC | | In general, Grammer guitars can be distinguished by their batwing-shaped headstock and typically feature a crown-shaped bridge, although some may have a moustache bridge. They feature solid spruce tops, and the fingerboard inlay has dot fretmarkers with double dots at frets 3, 7, and 17 and triple dots at 12 position. The pickguards and headstock overlays were layered black on white plastic. The pickguards were asymetrical and the headstock features the name "The Grammer Guitar." Most guitars were finished in Natural but there were some unusual colorations used such as a greenburst and a bright yellow clearcoat. Chrome Grover Roto-Matic tuners were standard on most models. Early models made under RG & G ownership have a paper label in the soundhole that reads RG & G on the label. Besides the G Series that is listed, Grammer also produced the slightly smaller S Series, the 12-String R Series, the tenor T Series, and the baby B Series. | | G-10 | | - dreadnought style, Alpine spruce top, Brazilian rosewood back and sides, cherry neck, 20-fret ebony fingerboard with dot inlays, inlaid veneer headstock, three-per-side tuners, ebony bridge, large black pickguard, available in Natural finish, 15.5 in. lower body width, 24.625 in. scale, mfg. mid-1960s-early 1970s. |
| G-20 | | - dreadnought style, Alpine spruce top, maple back and sides, maple neck, 20-fret rosewood fingerboard with dot inlays, inlaid veneer headstock, three-per-side tuners, rosewood bridge, large black pickguard, available in Blue Sunburst, Green Sunburst, Natural, Sunburst, or Red Sunburst finish, 15.5 in. lower body width, 24.625 in. scale, mfg. mid-1960s-early 1970s. |
| G-30 | | - dreadnought style, Sitka spruce top, mahogany back and sides, mahogany neck, 20-fret rosewood fingerboard with dot inlays, inlaid veneer headstock, three-per-side tuners, rosewood bridge, large black pickguard, available in Natural or Sunburst finish, 15.5 in. lower body width, 24.625 in. scale, mfg. mid-1960s-early 1970s. |
| G-40 | | - dreadnought style, Alpine spruce top, exotic wood back and sides including Prima Vera, Satinwood, and Avodire, matching exotic wood neck, 20-fret ebony fingerboard with dot inlays, inlaid veneer headstock, three-per-side tuners, ebony bridge, large black pickguard, available in Natural finish, 15.5 in. lower body width, 24.625 in. scale, mfg. mid-1960s-early 1970s. |
| MERLE HAGGARD MODEL | | - features a slotted headstock with rear-facing tuners, Brazilian rosewood back and sides with a blonde center stripe on the back, spruce top, has Merle Haggard in white script writing on the headstock. |
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