Help   Electric Guitars  
DAION
ACOUSTIC: MARK SERIES
Truss rod access was at the body end of the neck, through the soundhole.
MARK I
- dreadnought style, solid cedar top, hardwood neck, round soundhole, black binding, mahogany sides/back, 14/20-fret rosewood fingerboard with white dot inlay, rosewood bridge, rosewood pickguard, three-per-side chrome sealed tuning machines, available in Natural finish, mfg. late 1970s-mid-1980s.
Mark I/12
- similar to the Mark I, except in 12-string configuration, has a slotted headstock, and six-on-a-side tuners, mfg. late 1970s-mid-1980s.
MARK II
- dreadnought style, solid cedar top, hardwood neck, round soundhole, white binding, redwood sides/two-piece back, 14/20-fret rosewood fingerboard with white dot inlay, rosewood bridge, rosewood pickguard, three-per-side chrome sealed tuning machines, available in Natural finish, mfg. late 1970s-mid-1980s.
Mark II/12
- similar to the Mark II, except in 12-string configuration, has a slotted headstock, and six-on-a-side tuners, mfg. late 1970s-mid-1980s.
MARK III
- dreadnought style, spruce top, maple neck, round soundhole, white binding, maple sides/two-piece back, 14/20-fret maple fingerboard with brown dot inlay, maple bridge, rosewood pickguard, three-per-side chrome sealed tuning machines, available in Natural finish, mfg. late 1970s-mid-1980s.
Mark III/12
- similar to the Mark III, except in 12-string configuration, has a slotted headstock, and six-on-a-side tuners, mfg. late 1970s-mid-1980s.
MARK IV
- dreadnought style, solid cedar top, hardwood neck, round soundhole, black binding, five-layer maple/rosewood soundhole purfling, rosewood sides/two-piece back, 14/20-fret rosewood fingerboard with offset slash inlay, bone nut, rosewood bridge with bone saddle, rosewood pickguard, three-per-side chrome rotomatic tuners, available in Natural finish, mfg. late 1970s-mid-1980s.
Mark IV/12
- similar to the Mark IV, except in 12-string configuration, has a slotted headstock, and six-on-a-side tuners, mfg. late 1970s-mid-1980s.
MARK V
- dreadnought style, solid cedar top, hardwood neck, round soundhole, herringbone binding/soundhole purfling, rosewood sides/two-piece back, 14/20-fret rosewood fingerboard with offset white dot inlay, bone nut, rosewood smile-shaped bridge with bone saddle, rosewood pickguard, three-per-side chrome sealed tuners, available in Natural finish, mfg. late 1970s-mid-1980s.
Mark V/12
- similar to the Mark V, except in 12-string configuration, has a slotted headstock, and six-on-a-side tuners, mfg. late 1970s-mid-1980s.